Some white-sprayed thyme roots from a short animated clip I made. My first in HD, in fact. This part of the plant was not featured, but rather the wider and stouter top half, which ironically looked more like what I wanted to show - roots!
Settings: f/8, 1/180, ISO 100, 58mm Helios-44-2, 10mm extension, 1/4 flash, foil reflector, black card.
Wednesday, 31 March 2010
Tuesday, 30 March 2010
089: Vinegar & Oil
Oil and water-based liquids repel each other in very pretty ways sometimes. It's even better when they are brightly coloured, but vegetable oil and balsamic vinegar will do here. At least it looks appetising, after a fashion.
I splashed some vinegar on a plate of glass, then used a syringe to drop some oil onto it. Quite a lot of the oil migrated outwards before I finished setting up the shot. The bright oil bubble in the centre has very good contrast and sharpness.
I used the Helios-44 preset lens on an indeterminate aperture today, so it's listed as and approximate measure.
Settings: ~f/8, 1/125, ISO 100, 58mm Helios-44-2, 10mm extension, 1/4 flash, glass & white reflectors.
I splashed some vinegar on a plate of glass, then used a syringe to drop some oil onto it. Quite a lot of the oil migrated outwards before I finished setting up the shot. The bright oil bubble in the centre has very good contrast and sharpness.
I used the Helios-44 preset lens on an indeterminate aperture today, so it's listed as and approximate measure.
Settings: ~f/8, 1/125, ISO 100, 58mm Helios-44-2, 10mm extension, 1/4 flash, glass & white reflectors.
Monday, 29 March 2010
088: Tofu Cube
1:
Six-sided soy block
Loaded with spice and garlic
Yesterday's dinner
2:
It's getting quite late
Dunno what to photograph
Ah, a tofu cube
3:
There's food on that glass
Yes I washed it beforehand
Eating it up yum
Settings: f/8 (approx,) 1/180, ISO 200, 58mm Helios-44-2, 10mm extension, 1/4 flash, glass & white reflectors.
Six-sided soy block
Loaded with spice and garlic
Yesterday's dinner
2:
It's getting quite late
Dunno what to photograph
Ah, a tofu cube
3:
There's food on that glass
Yes I washed it beforehand
Eating it up yum
Settings: f/8 (approx,) 1/180, ISO 200, 58mm Helios-44-2, 10mm extension, 1/4 flash, glass & white reflectors.
Sunday, 28 March 2010
087: Amaryllis
I've been waiting a week or so to get a shot like this of my amaryllis, flowering for a second time (after a year of leafy recovery.)
The compressed petals of three flowers can be seen here, and there's another behind the right side. This has had three flowers to a bud before, but four is an unexpected surprise.
I used a different M42 lens to the usual Cosinon 50 f1.8 here, the KMZ Helios-44-2 58mm f2. (The older version.) This curious piece of uncoated Russian glass was taken from a Zenit E camera, which it came with as the standard lens.
My copy is slightly scuffed, has what look like a few tiny bubbles in the rear element, amd the front glass is covered in very fine scratches. Oh, and the focus ring has a very slight wobble. But despite these imperfections, I can't help but love this lens. For one thing, it's surprisingly sharp (at least in the centre,) and it's a preset lens. This means that there are two aperture rings - one with detents to 'preset' the iris, and the iris control ring that glides continuously, all the way from f/2 to f/16.
This is something I don't usually find useful, except that recently I have recently been experimenting with DSLR-shot stop-motion animation, including a focus pull (using the Cosinon 50mm f2.) Later I remembered the Helios-44-2 with its smooth iris control and decided that preset lenses are the ultimate tools for the job! Using the Helios-44-2 I can also perform an iris pull, which can be used as a great-looking dreamy fade to white, or simulating a squinting first-person view. I'm pretty excited about the possibilities of this lens, and must animate using it soon. If it turns out well then I might consider buying a 28mm preset lens too.
I can only imagine what a combined focus, zoom and iris pull must look like... Possibly amazing, maybe nausea-inducing.
Settings: f/8, 1/180, ISO 100, 58mm Helios 44-2, 17mm extension, 1/4 flash, white reflectors & black card.
The compressed petals of three flowers can be seen here, and there's another behind the right side. This has had three flowers to a bud before, but four is an unexpected surprise.
I used a different M42 lens to the usual Cosinon 50 f1.8 here, the KMZ Helios-44-2 58mm f2. (The older version.) This curious piece of uncoated Russian glass was taken from a Zenit E camera, which it came with as the standard lens.
My copy is slightly scuffed, has what look like a few tiny bubbles in the rear element, amd the front glass is covered in very fine scratches. Oh, and the focus ring has a very slight wobble. But despite these imperfections, I can't help but love this lens. For one thing, it's surprisingly sharp (at least in the centre,) and it's a preset lens. This means that there are two aperture rings - one with detents to 'preset' the iris, and the iris control ring that glides continuously, all the way from f/2 to f/16.
This is something I don't usually find useful, except that recently I have recently been experimenting with DSLR-shot stop-motion animation, including a focus pull (using the Cosinon 50mm f2.) Later I remembered the Helios-44-2 with its smooth iris control and decided that preset lenses are the ultimate tools for the job! Using the Helios-44-2 I can also perform an iris pull, which can be used as a great-looking dreamy fade to white, or simulating a squinting first-person view. I'm pretty excited about the possibilities of this lens, and must animate using it soon. If it turns out well then I might consider buying a 28mm preset lens too.
I can only imagine what a combined focus, zoom and iris pull must look like... Possibly amazing, maybe nausea-inducing.
Settings: f/8, 1/180, ISO 100, 58mm Helios 44-2, 17mm extension, 1/4 flash, white reflectors & black card.
Saturday, 27 March 2010
086: Ladybird, Spruce & Ant
I came across no less than five seven-spot ladybirds having some quiet time on a dwarf spruce.
I decided to take a shot of one in a more secluded position halfway up, through the branches which provide a blurry green vignette around the main subject.
The ant appeared from nowhere, its appearance is a happy bonus.
Rather than the bugs, the most detail here seems to be on the needles (although I don't mind it like this.) Probably just a very slight back focus, or that I wasn't paying enough attention to where the center AF point was.
Settings: f/8, 1/400, ISO 200, Tamron 70-300 tele-macro. Cropped slightly closer for compositional effect.
I decided to take a shot of one in a more secluded position halfway up, through the branches which provide a blurry green vignette around the main subject.
The ant appeared from nowhere, its appearance is a happy bonus.
Rather than the bugs, the most detail here seems to be on the needles (although I don't mind it like this.) Probably just a very slight back focus, or that I wasn't paying enough attention to where the center AF point was.
Settings: f/8, 1/400, ISO 200, Tamron 70-300 tele-macro. Cropped slightly closer for compositional effect.
Friday, 26 March 2010
085: Old Cards
These playing cards have seen a lot of use, judging by their less-than-pristine condition. But that adds character! A photo of perfectly uniform white cards would seem sterile in comparison, and dirt equals detail as far as I'm concerned.
As for the composition, I only used the Kings, Queens and Jacks as I wanted their line-rich images to fill the frame. There's no particular order or method here, just a loose and fairly random arrangement.
I just noticed that only the spade and heart symbols are shown. Not intentional, though.
Settings: f/9.5, 1/180, ISO 100, Cosinon 50mm, 10mm extension, 1/4 flash, white reflectors.
As for the composition, I only used the Kings, Queens and Jacks as I wanted their line-rich images to fill the frame. There's no particular order or method here, just a loose and fairly random arrangement.
I just noticed that only the spade and heart symbols are shown. Not intentional, though.
Settings: f/9.5, 1/180, ISO 100, Cosinon 50mm, 10mm extension, 1/4 flash, white reflectors.
Thursday, 25 March 2010
084: Red Pegs
This image was another "Oh look it's nearly midnight" shots where I quickly wrack my brain for visual inspiration before the next day begins.
Taking a shot like this with a digital camera is nearly always problematic, so my advice is to shoot RAW, ask questions later. Sure, the colours here are quite heavily post-processed, but they don't exactly look unnatural. The camera JPEG of this was quite an eyeball-burner, and that was with neutral settings. Red mush is how I would describe the original image, and tweaking the RAW really can reveal the "truth" in an image, despite a few white lies.
The Pentax K10D doesn't impress much with its noise levels, but it's quite a performer for dynamic range. I am constantly impressed by how much luma and chroma detail I can push and pull around in a RAW image.
All in all, a hurried photo, but a worthwhile image. The metal spring adds a detail that really pops out, and lends a clue to an otherwise rather cryptic composition.
Settings: f/8, 1/180, ISO 100, 1/4 flash, glass plate, foil, white boards.
Taking a shot like this with a digital camera is nearly always problematic, so my advice is to shoot RAW, ask questions later. Sure, the colours here are quite heavily post-processed, but they don't exactly look unnatural. The camera JPEG of this was quite an eyeball-burner, and that was with neutral settings. Red mush is how I would describe the original image, and tweaking the RAW really can reveal the "truth" in an image, despite a few white lies.
The Pentax K10D doesn't impress much with its noise levels, but it's quite a performer for dynamic range. I am constantly impressed by how much luma and chroma detail I can push and pull around in a RAW image.
All in all, a hurried photo, but a worthwhile image. The metal spring adds a detail that really pops out, and lends a clue to an otherwise rather cryptic composition.
Settings: f/8, 1/180, ISO 100, 1/4 flash, glass plate, foil, white boards.
Wednesday, 24 March 2010
083: Moss Stalks
This is a 100% crop from some animation I have been doing today; the detail of some wispy stalks in a mat of moss.
A clump of moss from a neglected pot in the garden sits in a firmly-secured box of sand. I carefully picked at and shifted it with a pencil for a couple of hundred frames, pulling apart the mat of moss a little bit more every frame until I finally started to attack it with scissors and mix it with sand until it looked nothing like the moss it once was.
It's now been returned to the garden. The animation turned out pretty good.
Settings: f/5.6, 1/15, ISO 200, 50mm M42, 10mm extension.
A clump of moss from a neglected pot in the garden sits in a firmly-secured box of sand. I carefully picked at and shifted it with a pencil for a couple of hundred frames, pulling apart the mat of moss a little bit more every frame until I finally started to attack it with scissors and mix it with sand until it looked nothing like the moss it once was.
It's now been returned to the garden. The animation turned out pretty good.
Settings: f/5.6, 1/15, ISO 200, 50mm M42, 10mm extension.
Tuesday, 23 March 2010
082: Beach Brick Biscuit
A little fragment of brick found on the beach at Torbay. Its accompanying stony mortar almost makes it resemble two-thirds of a biscuit sandwich, albeit one washed smooth by decades of sand and surf.
I doubt any biscuit is that resilient.
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 17mm extension, 1/4 bounce flash, glass base, white relflectors at both sides, top and under glass.
I doubt any biscuit is that resilient.
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 17mm extension, 1/4 bounce flash, glass base, white relflectors at both sides, top and under glass.
Monday, 22 March 2010
081: Baby Nasturtium
This tiny nasturtium was the first seed-sown plant to appear this year. It's the current leader of its class in the springtime growth race.
It's so neat and fragile, therefore rather like a baby, I thought. But at least it doesn't scream and mess itself, it doesn't require a great deal of care, and I only have to keep it for about ten months before it withers away.
Plus I can pull bits off and eat them. Yum!
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 17mm extension, 1/4 flash, white reflector.
It's so neat and fragile, therefore rather like a baby, I thought. But at least it doesn't scream and mess itself, it doesn't require a great deal of care, and I only have to keep it for about ten months before it withers away.
Plus I can pull bits off and eat them. Yum!
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 17mm extension, 1/4 flash, white reflector.
Sunday, 21 March 2010
080: The Squirrel Branch
Standing with my tripod and zoom lens by a gate in some local woods, I took a few decent images of birds today: A chaffinch, some great tits and a blue tit. This squirrel appeared and decided to watch me, probably waiting for the satisfaction of seeing me step in the nearby dog turd (which never happened.)
Instead, I captured it squatting like this in mid-scratch, its leg in a grey blur.
Settings: f/6.3, 1/125, ISO 400, Tamron 70-300, tripod.
Instead, I captured it squatting like this in mid-scratch, its leg in a grey blur.
Settings: f/6.3, 1/125, ISO 400, Tamron 70-300, tripod.
079: Shakers Embracing
Oops, I missed the 20th technically; I was out until very late and didn't do the photo earlier. This was taken on the 21st, but it still feels like the 20th to me. Photo no. 80 will now be an extra taken later on the same day.
Going to bed very soon, but need a hug first...
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 17mm extension, white reflectors.
Going to bed very soon, but need a hug first...
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 17mm extension, white reflectors.
Friday, 19 March 2010
078: Long Potato Sprout
Thursday, 18 March 2010
077: Condensation
These water drops have formed on the inside of a windowsill propagator. I have managed to get a wide range of grey tones all across this photo, but the background was white. The flash was bounced down, but it didn't hit much of the background. I like the result.
I had to do quite a lot of clone-stamp correction on this, as there were some moulding lines and an adhesive tape mark that I couldn't make out with normal vision.
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 87mm extension, 1/4 flash, foil reflector.
I had to do quite a lot of clone-stamp correction on this, as there were some moulding lines and an adhesive tape mark that I couldn't make out with normal vision.
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 87mm extension, 1/4 flash, foil reflector.
Wednesday, 17 March 2010
076: Bay Leaf Mosaic
I picked a shabby-looking bay leaf and noticed how interesting the patterns of dying-off cells look; each tiny area between the veins is like a tile in a mosaic.
There's definitely the suggestion of a fractal pattern in there too.
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 33mm extension, 1/4 flash, foil & white reflectors.
There's definitely the suggestion of a fractal pattern in there too.
Settings: f/5.6, 1/180, ISO 100, 50mm M42, 33mm extension, 1/4 flash, foil & white reflectors.
Tuesday, 16 March 2010
075: Money Spider
Yesterday I noticed this money spider on it web inside one of our compost bins. I only managed to get a side view today, but what I got I captured in some very fine detail.
The lower half of the image is the top rim of the compost bin. The tripod was lent against the bin and the front of the lens barrel was about 4cm from the spider.
Settings: f/11, 1/180, ISO 200, 87mm extensions, 1/4 flash, foil reflector, tripod.
The lower half of the image is the top rim of the compost bin. The tripod was lent against the bin and the front of the lens barrel was about 4cm from the spider.
Settings: f/11, 1/180, ISO 200, 87mm extensions, 1/4 flash, foil reflector, tripod.
Monday, 15 March 2010
074: Turnip Top Crisps
While not completely dessiccated, these bits of turnip are suitably dry and shrivelled to count as crisps in this picture.
What I like the most is how the complementary green and purples, though not very bright, have lost very little of their original colour. There are also some crazy textures going on down there, from the crinkle of the re-growth to the rings and scabby patches on the root skin.
Settings: f/8, 1/180, ISO 200, 50mm M42, 10mm extension, low flash, white reflectors.
What I like the most is how the complementary green and purples, though not very bright, have lost very little of their original colour. There are also some crazy textures going on down there, from the crinkle of the re-growth to the rings and scabby patches on the root skin.
Settings: f/8, 1/180, ISO 200, 50mm M42, 10mm extension, low flash, white reflectors.
Sunday, 14 March 2010
073: Serpentine Twig & Lichen
Check out the 70s Doctor Who style monster costume warty bits on the lichen. Rather freakish but interesting.
This was taken on a small potted fuschia bush, with the morning sun hitting the garden in the right place. I had no tripod with me and needed to hand-hold the camera; no easy thing when high magnifications are involved. Not so much because of the risk of camera shake, but more due to the shallow field of focus slipping back and forth as my body refuses to hold completely still.
Settings: f/4, 1/400, ISO 200, 50mm M42, 29mm extension.
This was taken on a small potted fuschia bush, with the morning sun hitting the garden in the right place. I had no tripod with me and needed to hand-hold the camera; no easy thing when high magnifications are involved. Not so much because of the risk of camera shake, but more due to the shallow field of focus slipping back and forth as my body refuses to hold completely still.
Settings: f/4, 1/400, ISO 200, 50mm M42, 29mm extension.
Saturday, 13 March 2010
072: Skeletal Hydrangea
Two hydrangea flowers, frozen, dried and worn bare by the winter. They have become fused together, and so create a kind of skeletal tent - complete with poles and smoke vents. The entrance must be underneath; I didn't check, but I can easily imagine a ladybird taking shelter under here.
This was a straight-from-camera job as I was away from home, no post-processing apart from a little cropping (not so easily done to an accurate degree with simple image viewer software.)
Settings: f/11, 1/125, ISO 100, 50mm M42, 29mm extension, 1/4 flash, foil reflector, handheld.
This was a straight-from-camera job as I was away from home, no post-processing apart from a little cropping (not so easily done to an accurate degree with simple image viewer software.)
Settings: f/11, 1/125, ISO 100, 50mm M42, 29mm extension, 1/4 flash, foil reflector, handheld.
Friday, 12 March 2010
071: Sunflower Seeds
It's Stock Photo Friday! Yep, they are what they look like. Although it has to be said that the photo was taken at a lower magnification than it may seem; these seeds are the big variety - many of them are 2cm long.
I am cracking some open and munching on the kernels as I type this, sampling salty fingers and typing.
This may not be the best idea I've ever had, if I consider all the germs that must call my keyboard their home. But builds up the resistance, as they say. Anyway, I reckon they're all my germs.
Settings: f/8, 1/180, ISO 200, 50mm, 19mm extentsion, white reflectors on top and both sides.
I am cracking some open and munching on the kernels as I type this, sampling salty fingers and typing.
This may not be the best idea I've ever had, if I consider all the germs that must call my keyboard their home. But builds up the resistance, as they say. Anyway, I reckon they're all my germs.
Settings: f/8, 1/180, ISO 200, 50mm, 19mm extentsion, white reflectors on top and both sides.
Thursday, 11 March 2010
070: Shrink-Minted
Some polo mints are placed on a rubber mouse mat inside a thin freezer bag; this bag is then tied around a drinking straw at the opening with adhesive tape. I make sure the flash reflectors and other cards are in place, turn off my desk lamp, stop the lens down, take the straw in my mouth and press the shutter button. While the two-second timer runs, I place a white card on the opposite side to the foil flash reflector (in this case in front of my face) and suck hard on the straw. The shutter fires and I'm left with this picture.
Settings: f/16, 1/180, ISO 200, 50mm, 19mm extension, 1/4 flash, foil, white & black cards.
Curiously, there's an impression of curvilinear distorsion; but I'm sure it's just due to the placement of the mints. I'm not very happy with the top corners either. I think they needed more crinklyness. But I'm sure I can make a better, similar picture some other time; I like this unusually shrink-wrapped objects theme.
Settings: f/16, 1/180, ISO 200, 50mm, 19mm extension, 1/4 flash, foil, white & black cards.
Curiously, there's an impression of curvilinear distorsion; but I'm sure it's just due to the placement of the mints. I'm not very happy with the top corners either. I think they needed more crinklyness. But I'm sure I can make a better, similar picture some other time; I like this unusually shrink-wrapped objects theme.
Wednesday, 10 March 2010
069: Frost-Crumbled Brick
Leave a decrepit old brick outside in the winter and ice cracks it up handily. It's a good example of how stiff, bare soil gets loosened by frosts. I can just brush the breadcrumb-like bits off when I'm done; there may be little left of this brick in a few years if we keep having winters like the last one.
The algae and moss adds some bonus detail, as do a few seeds stuck to the side. I tried some shots of only the top area of broken bits, but chose this side shot as I like the difference of the destroyed top and smooth side areas.
Settings: f/16, 1/180, ISO 200, 50mm, 10mm ring, 1/4 flash, foil & white reflectors.
The algae and moss adds some bonus detail, as do a few seeds stuck to the side. I tried some shots of only the top area of broken bits, but chose this side shot as I like the difference of the destroyed top and smooth side areas.
Settings: f/16, 1/180, ISO 200, 50mm, 10mm ring, 1/4 flash, foil & white reflectors.
Tuesday, 9 March 2010
068: Dried Starfish
This mummified sea creature looks as if it may have had a challenging life with its gimpy arm, but I'm sure it managed, for a while at least. It may have been one that was regrowing.
It's really not gained much dignity in death, folded over and sand-riddled, but it's not like it cared or understood about such a complex social concept in life. It would have been too busy crawling around looking for other tiny sea creatures to engulf and digest.
mmmm, sea creatures. Nom nom nom.
Settings: f/16, 1/180, ISO 200, 50mm M42, 19mm extension, low flash, foil & white reflectors.
It's really not gained much dignity in death, folded over and sand-riddled, but it's not like it cared or understood about such a complex social concept in life. It would have been too busy crawling around looking for other tiny sea creatures to engulf and digest.
mmmm, sea creatures. Nom nom nom.
Settings: f/16, 1/180, ISO 200, 50mm M42, 19mm extension, low flash, foil & white reflectors.
Monday, 8 March 2010
067: Swan Bean
Fiddling around composing bean sprouts on a piece of kitchen foil can come up with strange and unexpected results.
Like this, for instance. It was a bean, now it's a swan. The foil ripples gently like the surface of a calm canal. The only thing missing is a wake for the bean-bird, but I didn't want to mess with the foil this time. If I crinkled it wrong it might have ruined the effect.
Settings: f/8, 1/180, ISO 200, 50mm M42, 19mm extension, low flash, white reflector over top.
I actually messed up here; the end part of the sprout I aimed to focus on is slightly out of focus, but the light on the foil water looks quite convincing. Yes, I ate the sprout...
Like this, for instance. It was a bean, now it's a swan. The foil ripples gently like the surface of a calm canal. The only thing missing is a wake for the bean-bird, but I didn't want to mess with the foil this time. If I crinkled it wrong it might have ruined the effect.
Settings: f/8, 1/180, ISO 200, 50mm M42, 19mm extension, low flash, white reflector over top.
I actually messed up here; the end part of the sprout I aimed to focus on is slightly out of focus, but the light on the foil water looks quite convincing. Yes, I ate the sprout...
Sunday, 7 March 2010
066: The Year We Make Potatoes
Not the year 066, I mean 2010. As far as I know, we haven't made contact yet, or built a great big spacecraft to travel to Saturn to check out all the weird happenings there...
Crap Sci-Fi film title reference aside, we can at least grow potatoes. Check out the super furry shoots on this one - coming along nicely.
A maincrop potato like this "Desiree" variety doesn't benefit much from chitting before planting, but it's not like I have a choice; they'll just start anyway. So they're kept in the light, where they go green, short and furry instead of in the dark where the shoots go long, pale and stringy.
Settings: f/11, 1/180 sec, ISO 200, same lens as yesterday but with black background.
Crap Sci-Fi film title reference aside, we can at least grow potatoes. Check out the super furry shoots on this one - coming along nicely.
A maincrop potato like this "Desiree" variety doesn't benefit much from chitting before planting, but it's not like I have a choice; they'll just start anyway. So they're kept in the light, where they go green, short and furry instead of in the dark where the shoots go long, pale and stringy.
Settings: f/11, 1/180 sec, ISO 200, same lens as yesterday but with black background.
Saturday, 6 March 2010
065: Russian-Style Pen Top
Today I felt that I should take a pictue of the wooden pen on my desk, as I do quite like the top of it.
A plain background didn't look like it would work, and I just happened to have an interesting patterned coin purse nearby, so that got put behind it. It seems to work quite well as the styles of both objects used are both relevant and fit together; but I keep wondering if the background might have worked better if it were blurrier. The wooden doll-top is sharp and clear, but it doesn't 'pop' out as much as it could. The similarity of colours is probably to blame as well.
But all in all, it's a worthwhile picture.
Settings: f/8, 1/180 sec, ISO 100, 50mm M42, 29mm extension, low flash, white reflectors.
A plain background didn't look like it would work, and I just happened to have an interesting patterned coin purse nearby, so that got put behind it. It seems to work quite well as the styles of both objects used are both relevant and fit together; but I keep wondering if the background might have worked better if it were blurrier. The wooden doll-top is sharp and clear, but it doesn't 'pop' out as much as it could. The similarity of colours is probably to blame as well.
But all in all, it's a worthwhile picture.
Settings: f/8, 1/180 sec, ISO 100, 50mm M42, 29mm extension, low flash, white reflectors.
Friday, 5 March 2010
064: Frost on a Crocus
A similar crocus plant as before, a bit further down the garden. This morning saw some frost, so there was a relatively rare opportunity to get some shots of frosty spring blooms.
Here is one of the better shots, cropped to 5:4 to neaten the composition.
Settings: f/4, 1/50 sec. ISO 200, 50mm M42, 29mm extension.
Here is one of the better shots, cropped to 5:4 to neaten the composition.
Settings: f/4, 1/50 sec. ISO 200, 50mm M42, 29mm extension.
Thursday, 4 March 2010
063: Rust and Holes
Wednesday, 3 March 2010
062: Lavender Buds
I've been sticking a lot of small objects onto blocks of plasticine this week. Tonight here is a collection of short, dried lavender stalks from last year.
I tried a much wider (but still close-up) shot before this one, but I didn't get good results from any flash lighting I tried, so I went for this closer shot. This turned out more detailed and contrasty, showing the fuzzy parts of the buds nicely.
Settings: f/8, 1/180 sec, ISO 100, 50mm M42, 29mm extension, low flash, foil reflector, white background.
I tried a much wider (but still close-up) shot before this one, but I didn't get good results from any flash lighting I tried, so I went for this closer shot. This turned out more detailed and contrasty, showing the fuzzy parts of the buds nicely.
Settings: f/8, 1/180 sec, ISO 100, 50mm M42, 29mm extension, low flash, foil reflector, white background.
Tuesday, 2 March 2010
061: Coriander Root
I kept his root from a large coriander plant I grew in 2008. It smelt quite strong, and I thought it might be useful in cooking. It didn't keep its aroma though, and just hangs around now because it looks quite interesting. It would have been nicer to have had more than one of these on show, but it's still good singly.
Settings: f/11, 1/180 sec, ISO 100, 50mm M42, 19mm extension, low flash, foil reflector, grey foam background and white paper under front of subject.
Settings: f/11, 1/180 sec, ISO 100, 50mm M42, 19mm extension, low flash, foil reflector, grey foam background and white paper under front of subject.
Monday, 1 March 2010
060: Spring Is Here
Today I decided that Spring had arrived; the profusion of emerging crocuses with the mild, sunny weather convinced me. But while these beautiful flowers bloom early and quickly, they wither just as quickly.
Today's lesson: Enjoy such evanescent things while you can!
Settings: f/2.8, 1/1000 sec, ISO 100, SMC P-FA 50mm.
It would be great to make a time-lapse video of these flowers, as they open and close in response to the sunlight. Maybe next year.
Today's lesson: Enjoy such evanescent things while you can!
Settings: f/2.8, 1/1000 sec, ISO 100, SMC P-FA 50mm.
It would be great to make a time-lapse video of these flowers, as they open and close in response to the sunlight. Maybe next year.
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