365: Eccentric Strands

Settings: f/2.8, 1/50, ISO 400, 50mm Pentacon M42, 17mm extension, tungsten light. Slight lighting and tone curve adjustments, noise reduction and slight sharpen.

363: Old Metal Parts

Settings: f/8, 1/180, ISO 100, 50mm Pentacon M42, 49mm extension, 1/4 flash (bounced,) white card, tripod. Tone curve adjustment, sharpen, slight rotate and crop.

359: Gold Sparkle

Settings: f/2.8, 1/180, ISO 200, 50mm Pentacon M42, 1mm extension (by adapter,) 1/4 flash (bounced.)

358: Cabbage Leaf Network

Settings: f/2.8, 1/10, ISO 800, 50mm Pentacon M42, 20mm extension. JPEG straight from camera.

357: Old-Fashioned Toast

Settings: f/1.8, 1/30, ISO 800, 50mm Pentacon M42.

356: Fairy-O-Lights

Settings: f/1.8, 1/5, ISO 800, 50mm Pentacon M42, 17mm extension.

352: Sponge Foam Structure

Settings: f/11, 1/180, ISO 100, 50mm Pentacon M42, 88mm extension, 1/4 flash (bounced,) cable release, tripod. Colour and tone curve adjustments, 100% centre crop.

351: DAIRY

Settings: f/11, 1/4, ISO 100, 50mm Pentacon M42, 19mm extension, LED torch, black velvet, cable release, tripod. Colour and tone curve adjustments, slight crop.

350: Misted Floret

Settings: f/8, 1/180, ISO 100, 50mm Pentacon M42, 51mm extension, 1/4 flash (bounced,) tripod.

349: Rainbow Sprout

Settings: f/11, 1/180, ISO 100, 51mm extension, 1/4 flash, white card, tripod. Colour and tone curve adjustments, slight crop.

335: Mints on Pink

Settings: f/5.6, 1/180, ISO 100, 50mm Pentacon M42, 19mm extension, 1/4 flash, foil reflector, green paper, tripod. Colour & levels adjustments, crop.

334: Sugar Cavities

Not the dental sort, but featuring here on something liable to induce such problems if abused.
As expected, I couldn't resist seeing what the bubbles in this orange lollipop looked like close up. I stuck all the extension tubes I had (minus the loose one,) on a 50mm lens and propped the sticky lolly in front of a desk lamp.
The first couple of attempts were plagued by flare, so I cut a small hole in a piece of cardboard and stuck it behind the lolly to cut down on peripheral illumination. This way the only light I really needed was shining through the lolly.
The image looked a great deal more orange out of the camera; while I still liked this, I found that pulling the white balance nearly all the way down made for more varied, acid yellow-greenish tones. While unrealistic, I just find them more pleasing.

Settings: f/9.5, 1/1.7, ISO 100, 50mm Pentacon M42, 81mm extension, fluorescent lamp, card, tripod. Colour and levels adjustments.

333: Coconut Moon

333 Seems like an auspicious number; not sure why, apart from the repetition.
The coconut simply looked interesting close up, and as with things I find interesting, I often consider the possibility of a photographic record.
Plus it looks rather like the moon.

Settings: f/8, 1/180, ISO 100, 50mm Pentacon M42, 51mm extension, 1/4 flash (bounced,) white card, tripod.

332: The Speed Selector

Settings: f/5.6, 1/180, ISO 100, 50mm Pentacon M42, 51mm extension, 1/4 flash, metal bowl, black velvet, tripod.

329: Juice, Pith & Skin

Settings: f/8, 1/180, ISO 100, 50mm Pentacon M42, 68mm extension, 1/4 flash (bounced,) tripod.

328: Pepper Juice Purses

Not seaweed, but capsicum. The firm pockets of juice on the inner walls of this yellow pepper are very shiny, and are highlighted very effectively by lighting sideways on.

Settings: f/8, 1/4, ISO 100, 50mm Pentacon M42, 68mm extension, 1/4 flash, tripod. Colour and levels adjustment, slight sharpen and crop.

325: Broccolilies

Flowers are not just for unusual salads - One bite of broccoli (calabrese) contains hundreds of these delicate, tiny green buds.

The anthers on these broccoli flowers look slightly like those of lilies - a big generalisation, but it led conveniently onto the title.

Settings: f/8, 1/180, ISO 100, 50mm Pentacon M42, 51mm extension, 1.4 flash, black velvet, tripod.

322: Oak Leaf Channels

From a bunch of half-dried oak leaves, I chose this one because of its varied blotchy patterns. It was then taped to a lamp and copied slide-style.
It was focused to be sharp in the centre, but its general unevenness caused a great deal of softness in areas that fell outside the [thin] field of focus. Note the top corners in particular. I don't mind this, I was expecting it anyway.
It's rather topological, almost like a false-colour aerial view of a stream or a network of highways - and in a way, it is directly analogous, the veins once being transporters of water and nutrients within the organism.

Settings: f/8, 1/13, ISO 100, 50mm Pentacon M42, 19mm extension, fluorescent lamp, tripod. Levels adjustment, slight sharpen and crop.

321: Bad Apple, Raw Shark

Prior to the inevitable removal of moth larva-eaten areas before consumption, this apple inspired me when cut in half. I was already expecting the damage, due to the tell-tale hole in the skin, but this pattern interested me.

Settings: f/8, 1/180, ISO 100, 50mm Pentacon M42, 19mm extension, 1/4 flash, white card, tripod. Levels & colour adjustments, slight sharpen, crop to 4:3.

319: Twig Corals

Discovered in local woodland on Sunday, this rotten twig sports many tiny, coral-like fungal growths. I knew I wasn't going to get a decently lit and well-considered shot out in the cold woods, so it had to come home; and here we have it.
The twig was about 25mm(1 inch) wide, and measures about 2200px on the full 3888px wide image. This makes it about 13mm wide on the sensor, so the magnification ratio is around 1:2.

Settings: f/9, 1/180, ISO 100, 50mm Pentacon M42, 29mm extension, 1/4 flash, white cards, foil, black velvet, tripod. Slight levels adjustment and very light sharpening.